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By looking at outstanding top box-office sci-fi movies, we introduce the second of six. What we’ll never know is if Rachael truly loved Deckard, but the trope of a woman falling in love with her rapist reeks of misogyny. Mariette (Blade Runner 2049) If the world is made of narratives, the best way to forecast our future is to understand which stories are influencing our thinking and technological imagination. It makes for a better theology that the first replicant-human child is the result of a genuine love rather than forced sex, and Deckard’s emotional torture and isolation seems to require that he loved Rachael. If replicants can learn to love, so can holograms, right? And if Joi feels love, then she must exist, yes? But while a big part of the new Blade Runner’s plot relies on the belief that Deckard and Rachael fell in love in the first, their “love” is the result of a coercive sex scene. K’s ability to love, his devotion to Joi, and their more developed relationship are intended to be the result of Deckard and Rachael’s ability to fall for one another. But as he investigates, K stars to wonder if his memories may be real, even if they aren’t his, and if they are, whether he may himself be the replicant child he’s looking for. Unilke in the first movie, in Blade Runner 2049’s future, replicants’ memories are created from scratch by law. The idea that replicants, created for slave labor, can reproduce-that they have a future to look forward to and fight for-could throw their universe into chaos, K’s boss, Lt.
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But K’s first encounter in the film leads him to the buried bones of Rachael, the replicant love interest from the original movie, and her body shows signs of having died in childbirth. As a blade runner himself, K is tasked with hunting down older runaway replicants, just as Deckard was three decades prior. Taking place 30 years after 1982’s Blade Runner, the new film stars Ryan Gosling as K, an LAPD detective who is also a part of a new, more obedient generation of replicants.